It bombed at the desk read. “It didn’t do well. And it wasn’t one of these matters that didn’t do well and later humans were like, ‘I like that,’ ” Mulaney remembered in a behind-the-scenes documentary.
Eight years later, the stand-up comedian back to host the display and eventually got to level “Diner Lobster,” which at once set the Internet on fireplace with excitement. During the live taping, he stated, the sketch “crescendoed in the biggest applause I’d ever skilled within the studio.” The vicinity “felt like both a TV studio and a live performance corridor.”
It also created a grand new SNL tradition. By now, one of the joys of Mulaney returning to host is the inherent promise that it’s going to come with one of these maximalist, hilarious Broadway parodies, each one bigger and extra absurd than the only before. “Airport Sushi,” the third and contemporary installment in this pleasant collection, arrived Saturday and, boy, was it a showstopper.
Clocking in at a whopping 8mins, the comic strip begins (as they all do) with solid member Pete Davidson making a seemingly easy but terrifying request to the surprise of Mulaney and fellow cast member Chris Redd. This time, Davidson is ordering sushi at a store in LaGuardia Airport.
Before you know it, the Phantom of LaGuardia (Kenan Thompson as “one of the ducks that took down Sully’s plane”) is making a song a riff on “The Phantom of the Opera.” Throughout the sketch, which is an elaborate musical takedown of the New York airport, we get songs from “West Side Story,” “Wicked,” “Little Shop of Horrors” and “Annie.” Incredibly well-known film star Jake Gyllenhaal, connected to a couple of cables to help him fly over the set, shows up as a man who travels in pajamas “so TSA should have smooth get right of entry to my body.”
The entire component ends with David Byrne — yes, he of the Talking Heads (and the episode’s musical visitor) — acting to lead the forged in a remake of his former band’s famous “Road to Nowhere” as “Flight to Nowhere.”
The comic strips become weird, hilarious and thrilling. It additionally underscored what makes these sketches so a hit: They’re right now fairly unique (LaGuardia is its very own specific revel in) and completely established (is there any airport people truly experience spending time in?).
Take the second comic strip inside the collection, another mash-up of Broadway parodies that spawn from Davidson asking to apply the toilet at a bodega. He fast learns of the otherworldly hellscape that is that restroom, “a global of 0 sanitation,” a room used handiest for “a canine giving start.”
Much just like the airport and the diner a sketch, the bodega setup is inherently based in the New York revel in, however, anyone who has had to use the bathroom at a gasoline station or rest forestall receives the idea.
Once you’ve got the premise, set the whole thing to classic Broadway tunes that maximum viewers probable possess at the least a passing familiarity with, maybe toss in a cherished guest big name or two and take everything to the most absurd severe, and you’ve got a recipe for a masterpiece with the intention to stay inside the public’s reminiscence.
Counterintuitive as it is able to seem, one of the secret guns for these sketches is their infrequency. The fact that we simplest get them each time Mulaney hosts offers the target audience something to sit up for. Contrast that with, say, the show’s bloodless opens (the element before the credit), which we recognize every week might be a play at the political information of the day: Because they are able to experience like routine sporting events in headline recitation, it may be hard to understand that the ones repetitive bits are made to generate laughs.
It doesn’t harm that everyone in those manic musicals seems to be having amusing, which does not move disregarded with the aid of the target market. Hours after NBC uploaded “Airport Sushi” to YouTube, one user commented: “If there’s going to be a new musical sketch whenever John Mulaney hosts, can he simply host each week? These are the first-class matters on SNL.”